Kitchens
- Category Name
- Kitchens
Speak to our design professionals
Share your info, we’ll book your slot.
Will you be living in your space during the renovation?
Previous Question
Previous Question
Please Select Date and Day
Appointment Date & time
Menty Jamir on her work photographing Naga kitchens, and creating a sense of home in her Delhi kitchen
“I’m not a cook, I am an eater,” Menty Jamir says, matter-of-factly. Menty is actually a photographer, and her latest series of photographs was recently showcased at NCPA in Mumbai. As one of the photographers in the 8:30 Collective, her work is part of the series Interior Weather, which ‘explores homes, families and the quiet narratives of everyday life’.
The kitchen seemed like an obvious subject matter for Menty. It had become clear to her through conversations with colleagues and her natural interests as a photographer that the essence of the Ao-Naga home was at its most concentrated within the walls of the kitchen.
Physically it commands attention: it is often the largest room in the house, the entry point into the home. But it also weaves itself into the centre of the domestic lives of its dwellers. It’s the place where the cooking happens of course, but also the heart-to-hearts, the negotiations. The napping. “There’s even a television in there. All of life happens in the kitchen.”
The series features 10 kitchens from villages around Mokokchung in Nagaland, that remain undisclosed at the artist’s discretion. It was important to her to find kitchens that were nostalgic to her 90s, early 2000s childhood: kitchens with large exposed shelves and open hearths, before modernity found its way into the hills.
Over tea and bakery snacks, Menty would explain the project to the people in the homes she wanted to feature. Because a Naga kitchen is too big to photograph in its entirety, she made a decision early on to focus on only one wall of a kitchen. While the action in the kitchen is around the fireplace, Menty turns her gaze towards the quieter corner that holds the stacked vessels, the fading photographs, the calendar, the proof of life. The most unself-conscious corner of a kitchen, and in many ways its most revealing. “Maybe there's someone sick in the family, you'll know by the medicines that they have kept, or by the utensils that are arranged. You’ll see what they got as a birthday or a wedding gift.” The resulting images are captivating, painterly and rich in detail.
Through the process of spending time in these kitchens, photographing and later printing them, the kitchens are familiar to Menty and yet continue to hold surprises. A friend recently pointed out a calendar that was hanging on a deer hoof that she had never noticed before.
Menty comes from a family of eight and spent much of her early years in the kitchen. As her dad cooked, she would sit by his side, watching and absorbing. As a result, she can cook ‘in theory.’ The recipes are childhood memories, deeply embedded, if a little hazy. At the end of these cooking sessions, they would eat together as a family, an important part of the Ao-Naga culture. “We always wait for one another and every meal is shared. Because we say, if a family doesn't eat together, they don’t agree on things.”
This feeling snags at Menty in her home in Delhi. She enjoys living alone but eating meals by herself is something she struggles with. Yet, down in the valley, far away from the hills she grew up on, her meals are a daily conversation with the terroir of that land. A typical meal involves blanched greens that include varieties from Nagaland bought at the local Naga store, rice, a spoonful of the many condiments and pickles she carries back and a portion of meat. Nagaland grows over 200 indigenous varieties of rice, and Menty makes a point to bring back a few kilos of her favourite rice, akhi, a short-grained sticky rice. Just a handful mixed in with basmati rice suffices to infuse its heady aroma.
Menty says she is not a cook. But over the course of our conversation, she mentions that she batch-cooks dishes to see her through the week. Mondays are for long cooking sessions where she might make smoked pork with yam, fresh pork with bamboo shoot extract or soupy chicken with oyster mushrooms. She also ferments her own kimchi and brews kombucha. When she steps into the kitchen, it’s an elaborate affair that takes hours. She brings this same level of devotion to her grocery shopping, often dashing into a store with beautiful produce to pick up a bunch of greens, even if it means lugging it around for the rest of the day.
In Menty’s fridge is a dazzling assortment of fermented foods. Axone, pickled Bombay duck, a variety of chilli oils to satiate her hankering for heat, fresh fruit, homemade kombucha and kimchi, rice to be roasted and made into tea, and of course, bunches of green leafy vegetables like mustard greens, pea leaves, and fiddleheads when they’re in season.
Menty’s kitchen may not have the traditional wall of paraphernalia that she so loves in a Naga kitchen, but her fridge offers a similar window into her life. And the view is of someone who cares deeply about food and the way it tethers her to the Ao-Naga community. Cook, or eater.
All images by Menty Jamir
Drop your info and we will call you to book your preferred consultation slot our experts will reach out to you.
Yes, I would like to receive important updates and notifications on WhatsApp.
By proceeding, you are authorizing Beautiful Homes and its suggested contractors to get in touch with you through calls, sms, or e-mail.
Our team will contact you for further details.
We were unable to receive your details. Please try submitting them again.