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Pooja Bihani, principal architect, designer and founder of Spaces & Design shares her expert insight into Kolkata’s design landscape and her go-to sourcing spots in the city of joy
Kolkata is truly a place where art is not just reserved for the galleries, it’s woven into the very fabric of the city, the streets, the rajbaris, splicing together the heritage and modern. Based here, interior designer and architect Pooja Bihani’s residential projects frequently incorporate design elements and artisanal objects honouring Kolkata’s architecture and art heritage without looking dated. The spaces are a seamless blend of minimalism with deeply Indian underpinnings.
But the whole ‘less is more’ philosophy is often punctuated with bold objects, a narrative driven art piece, unique ceiling designs and sculptural furniture. Every object serves a purpose, whether it’s functional or a piece of visual story telling. Her sourcing philosophy is very meaning-led rather than object-led. “I ask where something came from, who made it, how it will age, and whether it truly belongs in the story of that space. Some of our most successful projects were shaped not by expensive pieces, but by honest materials used thoughtfully,” Pooja says.
Pooja Bihani: Weavers Studio, a Kolkata-based textile atelier by Darshan Shah is always inspiring for textiles and nuanced craftsmanship. When we collaborated with Weavers Studio for various platforms, we discovered the depth of many Bengal weaves. Byloom in Kolkata is also known for its Bengali handloom and handicrafts. They have a beautiful sensitivity to handloom and contemporary living. I also enjoy discovering independent ateliers where the maker is closely involved in the process.
PB: Thank you. I usually begin by asking how a space should feel rather than how it should look. That changes my sourcing decisions completely. I gravitate toward materials that age gracefully, weather with time, textures that invite touch, and colours that calm the eye. Stone, open pore wood, linen, handmade metal and imperfect surfaces often carry more emotional depth than overly polished finishes.
PB: Yes, very much. Bengal has a rich craft language. We often engage with wood carvers, cane artisans, handloom weavers, terracotta makers and bespoke upholstery craftsmen. Also, multidisciplinary artists like Pradip Das, who work with metals like iron and use etching techniques in his works, and artist Aditi Chakraborty of Anki Bunki Aditi, who also curates many Durga Puja pandals across Kolkata. I value communities where skill has been passed through generations, because their work carries memory and integrity. Besides, the Bengal Durga Puja is the biggest revelation of art each year.
PB: For fabrics in Kolkata, besides Weavers Studio, Byloom, I visit stores around Burrabazar (Bada Bazar) for trims and practical finds. It is the oldest and largest wholesale market in Kolkata for fabrics.
PB: For bespoke chandeliers or statement pieces, I prefer collaborating directly with fabricators and metal craftsmen like Kaleidoscope Lighting and of course our very own The Prana Homes.
PB: Artifacts now we source and bespoke at The Prana Homes. Old markets around Russell Street, private collectors, estate clearances and antique dealers can yield remarkable finds. Some of the auction houses for vintage finds are Russell exchange and Sumans exchange, and Antiquana Period Furniture for vintage furniture. Sometimes the best pieces come through conversations rather than storefronts. One time at a Russell Street shop we found a beautiful collection of kenwood pieces for a very upmarket home.
PB:Yes, Karu India for stonework and Tabula Rasa for furniture by Nithika and Annanya Agarwal in Kolkata. I’m increasingly interested in smaller independent ceramic studios and young furniture makers working quietly but thoughtfully in Kolkata. There is a fresh wave of makers focusing on honest materials and smaller-batch production, which I find very encouraging.
PB: The lanes around old North Kolkata homes often reveal surprising objects through restoration yards and private sellers. A lot of the folk-art inspired décor can be found in Kumartuli which is a traditional sculptors’ hub in Kolkata. The artisans here specialise in creating massive, intricate idols for Durga Puja in Bengal.
PB: For furniture, I value makers willing to customise with patience and precision over purely catalogue-led brands. That's why we poured our hearts out at The Prana Homes for mindfully crafted objects. Others are Dtale Modern in Kochi and Beruru in Bengaluru.
PB: Kolkata has a deep art culture. I admire emerging artists from the Government College of Art & Craft as well as independent contemporary painters working across texture and abstraction like The Artemist by Aradhana Dalmia. I also enjoy commissioning site-specific work for homes.
PB: Rathin Barman, a visual artist and sculptor based in Kolkata.
PB: I would always encourage readers to watch smaller craft-led studios rather than only established names. Sudipta Saha, a pottery and ceramics artist and Onset Homes, a soft furnishings brand by Neha Jhunjhunwala. Bengal has many young ceramicists and textile labels doing sensitive contemporary work rooted in tradition.
PB: Absolutely. Furniture studios like NH 48 in Gujarat and Dtale Modern in Kerala. Rajasthan is a great place for sourcing stones like marble, granite and sandstone. Gujarat for carved wooden furniture, and Kerala for its cane and tropical sensibilities. India is an extraordinary design resource.
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