When you enter Danny Mehra's thoughtfully designed Bengaluru apartment, the first detail that catches your eye is the tiled floor: white, spotless and mysteriously bereft of carpets. While this may be an easily ignored lifestyle choice for most, for 68-year-old Danny, a seasoned collector who has amassed over 2500 vintage carpets, this lack of adornment warrants questioning. “Most of my carpets are from the 19th century, they aren’t meant for the floor. After everything they have been through, they should be seen vertically as art,” he says, gesturing to the walls of his house that are draped with unique mats, rugs and dhurries.
Having grown up in a middle-class family in Meerut, Danny’s early interaction with art was limited to the colourful photographs that accompanied annual calendars. After school, the collector moved to the US where he worked in capital markets for three decades. It was 1988 when Danny's interest in carpets first sparked: his mother-in-law presented the newlywed couple with two intricate Moroccan mats that became integral to the household.
As Danny and his wife Renuka moved around the country, the carpets moved with them and before you know it, he was liaising with collectors and auctioneers around the world in a quest to discover and gather more pieces that "spoke to his soul". Over the years, this cavernous relationship with collectible rugs has left him with distinguished fun facts like, “What works to preserve wine, usually works for tribal carpets, so about 60% humidity and 60 degrees Celsius,” he shares, adding that they should never be caged behind glass as the wool needs to breathe to survive.
Unlike classic Indian carpet collections that highlight hand knotted Kashmiri pieces, Danny’s repertoire stands apart. His stack is meticulous in criteria: the carpet should be old, it should be tribal and it most likely should have traversed the Silk Road connecting China with the Mediterranean region. “Tribal carpets were usually made by nomadic people who lived in tents in little villages, and wove as a hobby or for home use. They were poor people who were weaving with what they had access to, they put heart into it, that’s what I’m looking for in an object that I collect,” he says.
Besides tribal origin, the manifestation or lack of colour, an eccentric imbalance in proportion, and a distinct kitsch quality that makes the carpet "ugly-beautiful like a bulldog" are the other factors that shape Danny's covetable collection. Below, he shares deeply cultural and equally personal stories of five such carpets that have ascended from mat status to collectible art fame.