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The office of A Design Co. is set in a nostalgic residential space that’s reminiscent of erstwhile Madras architecture
Award-winning architect and designer Gowri Adappa’s studio isn’t your typical imposing office space. It’s cozy, comfortable, and almost inconspicuously nestled in a quiet lane in the neighbourhood of Alwarpet. It’s an old Madras home with a classic terrace roof, cracked terrazzo flooring, wooden rafters, and lots of natural light. The house has been transformed into a bright, welcoming workspace with a colourful conference room, open spaces to collaborate and brainstorm, and little nooks for downtime.
Gowri describes her style as “Indian modern”: a juxtaposition of old and new, with bits of nostalgia. And this can be seen in her studio. She says, “We have a lot of elements that are nostalgic, a lot of materials and finishes that you've probably grown up with. And they work beautifully even today, especially with our climate and our weather conditions.” We spoke to her about the journey of creating the studio how it keeps the team productive and inspired.
Gowri Adappa (GA): Ever since I was an architect, I wanted to start my own practice. And ever since I started my practice, I wanted my studio to be in an old home with a cafe and a store. The cafe and the store are yet to come, but the old home I managed to find.
After the pandemic, we were looking for a new studio space, and my business partner found this one. We loved it and the very next day we paid the deposit and started the work. Initially, we occupied the lower level, but eventually took the upper floor as well, and now the entire house is ours. We started with a team of five but have since grown to a team of 15, and we love this space.
GA: This is a 65-year-old home that’s made up of load-bearing walls, so we couldn't make any civil changes. We prioritised the studio space and the workstations, so that takes pride of place when you enter. On both levels, you walk into the studio, with my room and my partner’s room just off that. We divided the ancillary spaces into what we needed: we have a conference room, a waiting lounge, a lunch room and the cafeteria.
GA: We have antique pieces and newly made pieces. This is an older home, but we didn't want to use only antique furniture since it would kind of be on-the-nose. We brought in a lot of modern pieces, some vintage pieces, and art. It’s an eclectic mix of old and new which is what we do in most of our projects as well.
GA: I most definitely didn't want it to feel like a place of work. I wanted it to feel warm and comfortable, almost like a home. When my colleagues come in, they feel at ease immediately and they have the inspiration to work. Even if I have friends or clients over, they feel very comfortable and that was my main goal.
GA: I think it starts off quite like a normal workplace. People come in, sit at their workstations, catch up on what happened the previous day. But I think there's a lot of team-building and team effort that goes in. My door’s almost always open, so people walk in and walk out with drawings and ideas. We all sit, brainstorm and hustle together.
Also, there’s no “typical” work day. That’s the main reason I got into architecture. I didn’t want a nine-to-five setup. We have team meetings, client meetings, site visits, sourcing trips. There’s a lot more travel involved now. Earlier I’d go alone, but now my team and I go to sites we have outside of Madras. Each day is different and that’s what’s exciting about this profession.
GA: I think space really engages you and changes your behaviour, so it's very important to start designing it with the right intent. With our clients, we understand their personality and bring that into the design. A space should be warm and inviting and you should just feel comfortable.
GA: Art and good scents and smells! I feel it’s so important to engage all the senses. You’ll find art, fresh flowers, a nice scent going through the space, like a diffuser or coffee… something that's soulful.
GA: I think the bones of the home. I love the cracked mosaic floors and the Madras terrace roof. It was an absolutely exciting space to work on, we embraced it and designed it staying true to the bones of the structure. It’s a proper amalgamation of old and new and that’s essentially what we do in our practice as well. We celebrated the architecture of the studio and built on that. And that's what stands out when you enter the space. For me, energy is important, and I want my colleagues to all feel at ease.
All images by Ritesh Uttamchandani
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