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Architects from different regions share their insights on what it takes to make homes that are built to weather the storms
Kartik Budhraja is recalling the devastating rains of 2023 that wreaked havoc in Himachal Pradesh. He and his wife Anuradha, both of whom run a low-carbon homestay (also their home) Saroga Woods in the hills of Himachal, were in the eye of the proverbial storm. These showers though weren’t an anomaly. The utter devastation of floods across states, cloud bursts, storms, cyclones, red alerts are all too familiar.
“How do you coexist with the rain now that the rainfall pattern itself has changed? When you have water defining a new relationship with you for certain months of a year?” questions architect and urban designer Ganga Dileep. She is the founder of Recycle Bin, an eco-conscious studio known for a holistic approach to design, social engineering and urban planning. “Before the 2018 Kerala floods, our concerns related to the monsoons were more about ensuring water doesn’t leak into homes. It’s all changed now,” says Lijo Jos, co-founder and principal of Thrissur-based LIJO.RENY.architects. For many of India’s rain-lashed regions, sensitive building practices that account for the weather need to be coded into one’s approach. In the right hands, they are. “Goa gets rain five to six months of the year. Climate and context must shape architecture and give it a certain built form,” says Goa-based architect Golda Pereira.
But the sheer proliferation of a certain type of home today misses that point. There’s the need for large glass windows for the views; modern amenities in hills and valleys—who doesn’t want to rough it out in luxury? But the idea of how we build, where we build, and how much we build needs reassessing.
“It’s very important to use spaces intelligently and thoughtfully, to not waste resources, to build gently on the land,” says Sandeep Khosla of Khosla Associates. He, along with partner Amaresh Anand, have some experience in thoughtful building in the rain-soaked Sahyadris a couple hours’ drive from Mumbai. The modestly sized yet elegant home is a study in surrendering to—and leveraging—the environment and terrain. “The structure is essentially a box on a plinth with large overhangs offering protection from the sun and the rain. To counter the potential problem of the house receiving less light, we used skylights to keep it well illuminated,” adds Anand.
Pereira also leans into the value of the overhang—a characteristic feature of her homes. “Roofs with a decent slope of 23 to 30 degrees, a plinth of at least 60cm height and chajjas protecting openings that aren’t wrapped around with verandas are essential features.” That they also happen to be a rather charming architectural intervention doesn’t hurt.
This consideration of context is an important factor in creating homes and structures that are also ultimately monsoon-friendly. For Krittika Agarwal, founder of Shillong-based SAFE design studio, building a structure for guards of the Pobitora Wildlife Sanctuary in the floodplains of the Brahmaputra couldn’t get more contextual. “We raised it on a concrete plinth to protect it from floods and used natural local bamboo and bamboo-based products from the Northeast for the exterior. The bathroom and kitchen—wet areas—were of red brick.”
It is also important to analyse the intent behind what you build, Dileep asserts. “Today, that’s often reduced to 3BHK or 4BHK, or derivative influences from whatever may be popular. Instead, we should look inwards at our own lives to articulate what we want, what works for us.” Intent and life philosophies drove the design for one of her much-lauded projects—‘Room for River’ in Kochi. She collaborated with environmental activist Purushan Eloor on his house crafted out of the debris from his original home destroyed in the 2018 floods. Clad entirely in a local palette, this ‘Room for River’ stands on stilts and allows passage for the Periyar river.
Rahul Bhushan, architect and founder of NORTH, a practice based in the Himachali village of Naggar, and his team are active proponents of building in a way that stays true to local wisdom even as it adapts to the contemporary world. On hilly terrains, for instance, “the cut and fill of the mountain slope is crucial. Instead of a high retaining wall, build terraces for a better hold of land and water protection from landslides,” Bhushan adds.
Like the Budhrajas did for their Himachal home-cum-homestay. “We built along the contours of the land and tried not to cut into it. We also ensured the weight of the house was towards the back of the mountain,” says Kartik. They got experts to understand the most optimum way to build and did a soil survey. Added to that was staying as local as possible—grey slate for the exterior, Himalayan slate for the interiors.
Khosla and Anand, while building the Retreat in the Sahyadris, stayed true to the terrain, albeit differently. “This was a steeply contoured site and typically, the built structure would have had split levels to adhere to the shape of the land. However, the clients wanted a compact house on just one level. So, we devised a ramp to negotiate the slope and created a retaining wall on the eastern side where the bedrooms were planned,” explains Anand. The part of the house fully exposed to the views was on the western front, which had a pool and deck fronting the public spaces.
Foundational to building in the mountains is paying attention to the location of water channels and the flow of water. “Any construction technique used in the hills must allow water to flow naturally with minimal obstructions,” says Sidhartha Talwar, co-founder and principal of Delhi-based Studio Lotus. The firm put this into practice while building Devanya, a self-sufficient conscious community development in the Himalayan forest. “We mapped the natural drainage patterns over the entire site, observing the water flow over the seasons. Using that, we determined the buildable and unbuildable zones.” They steered clear of natural drainage channels and built on stilts where necessary. One of the villas within the development, the Villa in the Woods is an example. The firm designed the basket-weave-like structure offsite “to avoid bringing heavy lifting equipment to the ecologically sensitive area. This lightness of structure also translated into minimal excavation for the foundations.”
In hilly regions, Talwar recommends following the ‘building off the ground’ formula to “minimise concrete foundations that destabilise soil and prevent water percolation or stop water flow”. As sound as that logic might be, there are obstacles. “Earlier [in Himachal], people used to have water channels on their respective plots, allowing it to flow from one orchard to the next, eventually flow down to join a larger channel or waterbody; not anymore. We have become more territorial about our piece of land,” says Kartik.
Today, there is a certain one-dimensional approach of transplanting an almost universalised notion of city-specific building practices irrespective of terrain. Talwar says. “Constructions in these Uttarakhand hills also seem to mimic typical city buildings. It has become the de facto, almost aspirational way of building—a sign of progress. This leads to soil destabilisation, pushing an already fragile ecosystem to the brink.” In terms of materiality, that translates to ignoring local, durable materials. In the 2023 Himachal deluge, it was the more modern homes with more glassage and thin structures that suffered the most. “The ground subsided, the pillars cracked, the plaster gave way; this happened more in the modern constructions than older ones,” says Anuradha Budhraja.
To prevent this from happening, Lijo says, anchoring the structure is as essential as robust materiality. This means understanding the load-bearing capacity of the soil. “A good marker of where to build is the fauna around the plot. Large trees, for example. Their roots would have found a grip on the rock bed, which, in turn, keep the soil from slipping,” says Lijo. Agarwal’s project in the East Khasi hills, a house in Lum Khyriem on a steep slope and rocky surface, had terrace gardens to help anchor the space in its surroundings.
As a rule of thumb, surveying the soil should be a priority every single time in any kind of terrain. Even close to rivers or beaches, for instance. Check whether it’s clayey or sandy but typically, soil close to water bodies tends to be weak. The go-around in such cases is piling that is several metres deep. Or going high. “One of our new projects is on a plot that had been submerged under 10 feet of water in 2018—that’s the height of an entire floor. We turned the ground level into a pavilion, along with parking and just one guest bedroom. The main house spaces are on the first floor,” says Reny Lijo, co-founder of LIJO.RENY.architects.
Bhushan advises staying away from rivers, especially “river basins”. In Kullu Manali and Mandi, the national highway is built close to the river basin and separated by retaining walls. “Houses in that basin area were washed away by the massive water level rise when the Beas flooded last year.” Even the retaining walls were no protection.
Reny adds, “We’ve seen homes which have these compound walls next to the river. If the floods are too forceful, the compound wall will inevitably fall.” For one of their riverside homes, they circumvented a retaining wall in lieu of handrails but added a series of steps leading to the house. “If the water level rises, it comes into the property slowly over these steps. In 2018, it didn’t cross the last step. We hope that is the highest the water rises going forward.”
These stilts operate beyond the narrow dimension of a utilitarian escape-from-water idea. “If you give space to nature, [the river] will flow through it, sure. But if you don’t ‘socialise’ that space, that’s going to be another disaster. The solution is not just making room for nature but coexisting with it—creating a social space within a private dwelling.” In ‘Room for River’, this space beneath the stilts is where life flourishes; there are plants, fish, a seating area, “and it connects with the upper storeys through vertical voids”. Just like you have a backyard or a front yard, the space beneath the stilts redefines a new typology for the home, explains Dileep.
There’s another old-school hack to help channel the water away from the house—courtyards. “We incorporate either a nalukettu (central courtyard) or ettu kettu (two courtyards) in our projects to help drain away rainwater. Add drain channels and drain chambers in the ground to let the rainwater flow outside,” explains Lijo.
The idea is to work with water so that it doesn’t work against you. The Sahyadri home leaned completely into a low-maintenance home with easily accessible shafts and plumbing systems. “Amaresh also devised these copper pipes on the flat roofs which bring the rain down,” says Khosla. In her projects in Goa, Pereira relies on the chajjas to help turn the water away from the house or add drains to rooftops. For one of her projects with clay roof tiles, “I added a board and a waterproof sheet sandwiched between the battens and rafters.”
Building this way also makes a strong case for dipping into a local material palette. While building Devanya, Studio Lotus went with local stone, slate and timber. Their spectacular-looking RAAS Kangra in Himachal, too, follows a similar thoughtful design vocabulary. The Sahyadri holiday home was clad entirely in the basalt stone found onsite. “We sourced other material from within a five to 10 km radius. The interiors are all polished cement, river-finished kota stone flooring and naturally oiled furniture,” says Anand.
Local materials and traditional wisdom are intrinsic to Bhushan’s architectural idiom. This, he opines, is getting lost in modern building parlance. “Kathkuni and Dhajji Dewari, indigenous building technologies of the region, are not only structurally better but also respond better to the climate and local topography. They are natural breathable materials, which makes the air quality inside homes much healthier.” Then there is the inherent structure itself. The “framework of wood and dry stone masonry give the building better flexibility and better resistance to disasters like landslides”. In Assam, says Agarwal, houses made of bamboo are designed to withstand floods. “I use laterite stones for walls. I’ve also tried replacing cement plaster with lime plaster recently,” says Pereira.
Above all, such materials are breathable and solve a very significant problem—that of dampness, mildew, fungus and other irritants. The materials you use indoors are equally relevant. Flooring with low porosity, such as red oxide, is a good way to avoid dampness from seeping in.
As unprecedented and alarming as the monsoons have been, there’s no getting away or hiding from the rain. One needs to find ways to control how it enters homes and channel it away. Then, instead of gushing in on currents of fury, it might just slow down as it comes into your property. “It’s essential to understand the rhythm and mood of the rains and dance in harmony with it; otherwise, we’ll be forced to dance to its tune,” says Reny.
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DEC 2023
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17 Oct 23, 03.00PM - 04.00PM