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In Season 9 of Asian Paints’ Where The Heart Is, we tour Archana and Parmeet’s leafy bungalow in Madh Island that’s shaped by local materials and a long-held dream of living close to nature
For over four decades, Archana Puran Singh has been a familiar presence on Indian screens – an actor, performer and television personality whose warmth, wit and that unmistakable guffaw have made her instantly recognisable across generations. Her husband, Parmeet Sethi, is an actor and director, but also, as this home makes clear, a deeply involved maker. Together, they live in a bungalow tucked into the quieter folds of Madh Island, Mumbai, with their sons Aaryamann and Ayushmaan.
Archana walks through the house with the excitement of someone who hasn’t quite stopped marveling at it. She beams, she laughs and she pauses to take it all in, as though she’s still slightly surprised that this place exists. The home, she says, didn’t come easily. It is the result of years spent wanting something very specific and refusing to be talked out of it. “People often tell you to stop dreaming and come back down to earth,” she says. “I say dream big and keep dreaming until it becomes your reality.”
The bungalow sits amid dense greenery, with a garden that wraps the house in shade, birdsong and filtered sunlight. In a city where space is negotiated inch by inch, the luxury here is not scale alone but breathing room that’s visual, physical and emotional. French doors open straight into the garden, windows frame trees instead of traffic and almost every room has a direct relationship with the outdoors.
That openness carries through the house in other ways too. Rooms are arranged for gathering, conversation and celebration. Everyone’s had a hand in shaping them – Archana, Parmeet and their sons – and the result is a home that feels joyful through and through. Parmeet describes it best. “Har ghar kuch kehta hai”, he says. “But our house doesn’t whisper or speak. It laughs.” Archana agrees. For her, this is a home that says love, laughter and joy live here and that anyone who walks in is welcome to be part of it.
Our style guide breaks down the decisions behind that feeling with ideas you can adapt to bring the same warmth and ease into your own home.
Archana and Parmeet’s bungalow is shaped by a series of clear decisions. Light comes first, materials are chosen to last and rooms are designed around everyday use. Our style guide breaks these choices down room by room, with ideas that can be adapted to homes of any size:
The material language of the house is consistent and honest. Wood, brick, iron and stone appear over and over again. Parmeet took charge of shaping the home over time, choosing an Anglo-Spanish architectural vocabulary and then adapting it using local materials. Malad stone forms parts of the exterior, while Mangalorean tiles line sections of the roof. Wrought-iron grills, arched openings and fabric-heavy interiors nod to European influences but nothing feels or looks like it was imported. The villa belongs firmly to its coastal Mumbai setting.
Pro Tip: If you’re drawn to a particular architectural style, adapt it using materials available near you. Local stone, clay tiles or regional wood often weather better and add authenticity, especially in villas and bungalows exposed to the elements. These materials also tend to age more gracefully than imported alternatives.
In this home, bedrooms aren’t designed for sleeping alone. Archana and Parmeet’s bedroom is done in calm greys and creams, centred around a four-poster wooden bed. During the day, it becomes a gathering spot with a large sectional sofa, a place where the family gathers and spends time together. Tucked into her dressing area is a personal ritual zone with a well-lit vanity that Archana calls her confidence station, where she gets ready before stepping onto a set.
These secondary seating zones make large homes feel more intimate. Instead of always gravitating towards shared spaces, family members can choose smaller, cosier pockets that suit their mood, especially in villas or holiday homes where downtime is central to daily life.
Pro Tip: When planning a bedroom lounge area, keep the scale intentionally compact – a pair of armchairs, a low sofa or even a deep window bench works better than oversized seating. Pieces like the Kennith Accent Chair from the Luxe Edit by Nilaya work especially well in corners, near a window or beside a dressing area, creating a quiet spot to read, unwind or get ready without competing with the bed. Layer soft lighting, curtains or rugs to visually separate this area from the bed and ensure there’s easy access to power points for lamps and screens.
Large but relaxed, the living room in this villa is arranged for people rather than furniture or material display. It opens directly into the garden through French doors, flooding the space with light. A generous sectional sofa anchors the space, flanked by armchairs, low tables and layered rugs. Plants soften the edges, while artwork sits comfortably at eye level. Along one wall, a console supports a carefully built memory display with family photographs arranged above it.
Pro Tip: In living rooms that see constant use, keep wall colours deliberately understated. The walls in this home are finished in “Arctic Ice” from Asian Paints’ Nilaya Arc Pearlescent range, a lime-based paint that lends the space a breathable, soft quality. “It’s calm,” Archana says. “It’s timeless. And it lets everything else breathe.” Lime-based finishes absorb and diffuse light rather than reflecting it harshly, which helps larger spaces feel softer through the day. This also gives you flexibility to change furniture, rugs or art over time without having to repaint the room.
In villas and holiday homes, where space allows for architectural interventions, bringing light in from above can completely change how a room is used. Skylights make spaces feel larger and more open without adding square footage, creating an upward visual flow that lifts a room beyond its footprint. They let you see the sky and weather in a way that regular windows simply can’t match.
Ayushmaan’s bedroom is shaped around this one clear decision. Renovated largely by him, the room centres on a skylight he had wanted since childhood. It brings in changing daylight through the day and completely alters the mood of the space during the monsoon. Around it, the room is deliberately simple with muted walls, light wood furniture, open shelving and an exposed brick wall that adds texture. Soft furnishings from The Pure Concept for Nilaya range, specifically the Concept Essentials 3 Fabric Collection can keep the palette neutral, allowing the natural light to lead.
As evening sets in, the mood shifts subtly with layered artificial lighting. A fixture like The White Teak’s Anisora Spanish Alabaster Pendant Light adds a warm, diffused glow that complements the skylight rather than competing with it, ensuring the room feels cocooned after dark. “I wanted the room to feel open and airy,” he says and the skylight does most of that work.
Pro Tip: Skylights are best planned early, especially in standalone homes. A restrained, striped wallpaper (available in the Nilaya Once Upon a Time Wallpaper Collection) is an effective way to introduce patterns in bedrooms without visual noise. Used in soft blue-grey tones, the stripes add height, movement and a sense of order, especially in rooms shaped by strong architectural features like skylights.
Much of the warmth in Archana and Parmeet’s home comes from details that have been allowed to age. Wall panelling runs through parts of the home, its surface deepening over time. “It has the patina of age,” Archana says, pointing out how it contrasts gently with the cream and white ceiling in her bedroom. The house, like its owners, hasn’t been kept frozen in time. It’s been lived in, revisited and reworked through small updates and larger renovations through the years.
Products like the lime-based paints from the Nilaya Arc range allow walls to age gracefully, reducing the need for frequent repainting. Meanwhile collections like Nilaya Emperor’s Garden Wallpaper Collection and Nilaya’s collaboration with The Pure Concept on the Dori Embroidery Fabric Collection draw on European classical influences – florals, ornamentation and surface richness – mirroring the style you see in this house, yet remain adaptable to all kinds of Indian interiors.
Pro Tip: In larger homes, avoid flat, uniform walls. Use panelling, wallpapers, lime-based paints or textured finishes to add character and depth. Textured wall paints such as Royale Play Opaco Matt Texture and Royale Play Velour Texture introduce surface variation, helping walls gain depth without looking newly finished.
Step outside the living room to see Archana and Parmeet’s house reveal its emotional centre – the garden. This is where mornings begin and days wind down. Archana talks about the importance of being close to the ground, of feeling connected to the earth. The home and the garden, she believes, has changed the family forever, encouraging creativity and fostering togetherness.
Large openings from the living room keep the garden visually and physically connected, making it feel like an extension of the house rather than a separate zone. Designing the garden this way changes how a home functions. Instead of one primary living space doing all the work, the outdoors becomes another place to sit, read, talk or unwind. In villas and standalone homes, this approach spreads everyday activity across the property, easing the pressure on interiors and making the house feel more generous overall.
Pro Tip: When planning a garden for regular use, think beyond the landscape. Create clear access from key rooms, add durable flooring, comfortable seating and weather-resistant finishes. During the home tour, Parmeet points out that the bungalow’s exterior walls – finished in Asian Paints Apex Ultima Weatherproof Exterior Emulsion – have weathered more than two decades. This is not a scripted claim, just an honest reminder that good materials, chosen well, tend to last really long.
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