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With courtyards, vaulted roofs and rooms that open to gardens, designers Garima and Anindya Roy have built this space to function with flexibility, without any air-conditioning
Down a narrow village lane in Olaulim, a low-slung laterite brick house peeks out from dense greenery under the broad canopy of an old Indian elm. This is home to Garima and Anindya Roy, who live and work here, and their design studio which is on the same property. They conceived the house as an extension of their design ethos and lifestyle. Set on a hillside overlooking backwaters and rice fields, the design follows the natural slope in a series of split levels and terraces tucked among existing trees.
Both are alumni of the National Institute of Design (NID) who left big-city careers over a decade ago in search of a slower life in Goa. They initially rented a 100-year-old house in the village of Moira, a charmingly imperfect home that taught them to embrace informality and fluid living. By 2014 they stumbled on this hillside plot in Olaulim, dotted with mature trees and bordered by quiet backwaters and knew it was the spot to build their own home. “It was unlike anything we had seen elsewhere with its view and its location in a quiet corner of the village… the slope, the trees, everything felt brilliant at first sight,” says Anindya. “We knew then. This is it. This is the one.”
They spent a few years fine-tuning plans (and paperwork) before breaking ground in late 2020. Indoors and outdoors flow together: every room opens to a garden or courtyard, letting nature in at every turn. It’s not unusual for the family’s cats, or the odd monitor lizard, to wander through.
In designing the new house, they treated the panoramic vista of the Mandovi river’s backwaters as “the dessert, not the main course,” says Garima. Having lived for a decade in the old Goan house, the couple had learned to tune their lives to the rhythm of the local climate and landscape. With monsoon rains pounding for nearly four months a year and fierce sun in the dry season, the new house had to go beyond just looking at the view; it needed to offer shelter, ventilation and a seamless indoor-outdoor connection year-round.
The steep gradient meant the building had to be terraced following the land’s contours. It also meant no heavy machinery could access the site during construction—foundation trenches were dug by hand in the hard laterite soil. But the reward was that not a single significant tree was cut. “All the elements were the guiding factors and that would be the case with any site we work with,” says Garima.
Designing for Goa’s climate was equally deliberate. The house is oriented to catch prevailing breezes and shield against the harshest sun. Most windows are kept small and placed to facilitate cross-ventilation without inviting in too much heat. Since the Roys made the bold choice to forgo air-conditioning entirely, the building relies on its thick laterite stone walls, high ventilated ceilings and the cooling effect of the surrounding trees and water bodies to stay comfortable. Over the last year or so, the couple has also added bamboo chicks on windows to filter glare and lightened the roof to reflect heat.
The main house with its kitchen, dining area and guest suite are three single-storey structures linked by open courtyards and passages that let the landscape flow through. Their most striking feature is the barrel-vault roofs (suggested by an architect friend), sweeping curves that give the otherwise linear buildings a distinctive profile without extra height. The generous eaves create shaded semi-open spaces, where the Roys tucked in bathrooms, storerooms and even a corner for Garima’s gardening.
“We avoided making the structure tall,” says Anindya, describing how they kept everything on the ground floor so that the house would stay inconspicuous and “blend with the land.” Just as important was keeping the site part of the village around it. The couple had always avoided gated-community plots, preferring land sold by local families where neighbours were part of the same network. The house is left unfenced, so the views of the backwaters stay uninterrupted—for themselves, for the community and for anyone passing along the road.
Materials and finishes were chosen for durability and low maintenance. Locally quarried laterite stone—ubiquitous in Goan construction—is used in both rough and dressed form for walls, giving the building its earthy red tone. The interior walls are mostly left unpainted: some surfaces show exposed laterite blocks, while others are finished in lime plaster or simple lime wash.
Doors and windows are mostly mild steel—custom-designed, made by a local fabricator, with hardware to match and lightened with a weld-mesh pattern. Termites make timber unreliable in Goa, so wood is used sparingly. A favourite detail is the eight-by-eight-foot kitchen opening: four steel panels that swing out fully, turning the wall into an aperture for breeze, light and expansive views.
The heart of the home is the open kitchen with an oversized dining table, which flows into a free-form living space. “We don’t have a couch in the house and we don’t have expensive rugs,” says Garima. Instead of conventional sofas and armchairs, the Roys prefer an ever-changing assortment of easy chairs, floor cushions and diwans that can be moved around. Flexibility is built into the layout and furniture in the rest of the house too. Other than a few wardrobes, there are virtually no built-in fixtures. This was a conscious choice to allow rooms to change function as needed.
The laid-back feel is very much by design. “I think that we are slightly informal people,” says Garima. The decor reflects a creative couple at home: custom-made lights and furniture prototypes from their studio find places alongside well-worn books, potted plants and art collected over the years. In the living room, which sits directly above the couple’s bedroom, there is currently a simple cloth screen for privacy and dividing the spaces; Garima plans to replace it with one she will paint herself, filling its panels with motifs from all three of their childhoods.
The couple’s parents have playfully chided them about the lack of a sofa set or a “proper” drawing room, but Garima and Anindya can’t imagine having one. As one friend exclaimed after house-sitting for them, “It’s very you.” That simple statement is perhaps the highest compliment—the house is an authentic reflection of their personalities.
Just a few steps from the main house stands the Freehand Studio—a compact two-storey workspace. But there’s no internal passage between the two; to get from one to the other you step outside, cross a small courtyard and walk under the trees. This setup gives the couple immense flexibility—they can sketch a product idea at midnight or read to their son in the afternoon—while still maintaining a healthy boundary between “home” and “work”.
The ground floor of the studio is a workshop, equipped with tools for wood and metal work—a place for Anindya to tinker, prototype, repair and even work on hands-on experiments he once took to his son’s school, where he taught science and woodwork. Upstairs, the first floor is laid out as an office, calmer in atmosphere, with balconies opening to the views of the magnificent elm tree. A new patio at the entrance extends this idea—a shaded platform facing the water where the team can gather for informal meetings.
The site’s layout was planned so that certain facilities could serve both domains. The kitchen, for instance, sits at a natural crossroads, accessible to someone coming from the studio or to a guest in the house, without intruding into private family areas.
Designing and building Olaulim House has been more than just a personal project for Garima and Anindya Roy; it has been a transformative journey in their professional lives as well. “Having gone through the whole design exercise, building it, living in this house—and also garnering some appreciation from everyone who’s visited—we felt a degree of reassurance that we could take on more architectural projects together,” says Anindya. “What it has done for our profession is set a canvas that shows what we value in design, what we hold important in our way of living,” he continues. Instead of having to spell out their design philosophy in words or portfolios, they can simply point to their home.
Today, Olaulim House continues to evolve organically, much like the lives of its inhabitants. The family has started focusing on the landscape, planting saplings that will one day grow into a thicker grove of trees and experimenting with a kitchen garden. During the construction phase (which stretched longer than expected because of COVID-19 lockdowns), there were moments of fatigue when Garima would declare, “I don’t want this house to become a never-ending project.” Now that they’ve had a chance to enjoy living there, those sentiments are fading.
For designers like them, a space is never truly finished. “Every now and then, there’s a spark and you say, ‘Oh, I must do this,’” Garima says of the inevitability of her creative urge. She knows there will be tweaks and additions in years to come and that’s perfectly fine. The couple is determined to savour the home they’ve created, while also letting it grow with them.
Photos by Ethan Mascarenhas
Will you be living in your space during the renovation ?
DEC 2023
Please Select Date and Day
Appointment Date & time
17 Oct 23, 03.00PM - 04.00PM