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A bookshelf holds much more than just books. And in the case of writers, it offers us a glimpse into who they are, what they hold dear, and even how they read. In this series, we step into the home libraries of writers, exploring their shelves, collections, and distinct aesthetics
“A shelf is not just utilitarian…it is also a thing of pleasure and joy; and you must feel that when you take a book off a shelf or when you put one back.”
Aanchal Malhotra grew up in a bookshop, quite literally. Her family owns and runs the iconic Bahrisons Booksellers in New Delhi, one of the capital’s most-loved bookstores, and reading has been an everyday joy since childhood, which she considers a huge privilege. So a life dedicated to books, words, and stories couldn’t be too far behind. She trained in metal engraving and worked with a printing press before turning to writing. And for the past decade, she has spent her life “writing books and listening to stories,” as she describes it.
The author of the critically-acclaimed non-fiction books Remnants of a Separation and In the Language of Remembering, as well as the novel The Book of Everlasting Things, Aanchal’s home is filled with bookshelves large and small that house an enviable collection.
Her collection has burgeoned over the years, from the Sweet Valley High series, Enid Blyton novels and the classics in her childhood to a larger and more diverse collection today, with more non-fiction than fiction. “The collection that you see behind me has grown over a significant number of years, accumulating my books, my sister’s books, some books that my parents have given. And obviously it has also grown according to certain areas of interest.”
Ever since she became a writer, her shelves have come to encompass a lot of research books, “random reading,” books people have given or gifted her, and books that bear a similarity (in terms of theme or language) to whatever project she may be working on at the moment.
Aanchal, who is also co-founder of the Museum of Material Memory, doesn’t like accumulating things in general and is a very conscious consumer. Books are the one thing she doesn’t hesitate to pick up. “I constantly find that there is a lack of shelf space, which is a really good problem to have, a really privileged problem to have: the fact that you are able to spend time amidst these shelves and books that you love,” she says.
Aanchal’s main bookshelf is grand, handsome, and the pièce de résistance of her living area. It stretches across the room and occupies two walls in an L-shaped wraparound layout, creating a mini-library and reading nook of sorts.
She and her father designed it together, and being in the business of books, he knew exactly what to do, designing it keeping aesthetics and utility in mind. Aanchal says there is an order to make shelves, like the right height to incorporate several different kinds of books, the right width and depth, and it all adds to the overall appearance. “A shelf is not just utilitarian. It doesn’t just hold something. It is also a thing of pleasure and joy and you must feel that when you take a book off a shelf or when you put one back.”
She also has several smaller bookshelves scattered across the home: some sourced from Amar Colony furniture market in South Delhi and a few open shelves in her home office, most of which have been customised to her likes and needs. She has another unique shelf that she’s quite proud of: an “encyclopaedia” shelf, designed by her family. “In the 80s and 90s it was common for people to buy multi-volume encyclopaedias. People would come to my family’s shop and buy these alphabetical sets. Seeing that trend, my father and grandfather designed a special shelf, and, if you bought a whole set, you would get a shelf along with it. I use it for a completely different purpose though, it holds my foreign fiction and a typewriter that once belonged to my maternal grandfather. But it was designed for encyclopaedias.”
Aanchal admits that if she wasn’t writing or working in mental engraving, she would have been an interior designer! A self-proclaimed Type A, she is particular about the aesthetics of her environment, the cleanliness of her shelves, and organising her books properly. “I know it sounds silly, but a harmonious, pleasing environment is so much better for my productivity. I really appreciate neatness and organisation, if my table and things around it are cluttered I will not be able to work!”
She organises her books first by genre, then makes sub-categories if needed. “So there is non-fiction, commercial fiction, literary fiction, poetry, and within those genres there may be shelves for sub-categories. I have a shelf for non-fiction about Delhi for example. In addition, I have designated research shelves.”
She says balance is also important. “The balance of colour, the balance of heights, all the trinkets you put on your shelf…I feel that balance is instinctual as well. Books of a similar height and similar colour are all together. If I can group colours together within the same genre, I will.”
All of her bookshelves are open shelves, so cleaning happens regularly. The shelves undergo a basic cleaning every single day, and every two or three months she takes everything off the shelf and does a more thorough cleaning, which doubles up as an opportunity to reorganise. And once a year, the shelves are polished, and each book gets a deep clean.
Aanchal is constantly reading as part of research for her work, and she generally reads multiple books at the same time—but never two novels at once. She says, “You may mix their worlds, even if they are very different, so it will often be non-fiction and fiction or maybe a biography.” With a collection this large, and a main bookshelf this grand, choosing what to read next can be a task. But it’s one that Aanchal takes her time with.
She often finds herself standing in front of her shelf for anywhere between five to fifteen minutes (who wouldn’t want to, with such an inviting bookshelf?) looking for what to read. She says non-fiction is easier to choose than fiction. “(Non-fiction) is usually something you have wanted to read for a long time or something that pertains to your research, so it's not that complex. But with fiction you really have to be in the mindspace for certain novels.” She describes how she was recently stuck between two books. "The choice at the time was between Yellowface and The Dutch House. And simultaneously, I was reading two heavier books…I wanted a novel I could really sink into, and I wanted to read The Dutch House for a long time, but then I just decided against it and read Yellowface again, I don’t know why!”
There is a shelf of favourites she goes back to and re-reads, books that have gained meaning as she has evolved as a person, or based on what she is working on. Some of these books have helped her identify how a fellow writer figures out a problem during the course of their work. She says, “I work a lot with memory in my non-fiction writing. There's a novel by David Grossman which really helped me look at how memory can be folded into fiction in such a seamless, fresh, and important way. I read (certain) books again and again. I will go back not for pleasure, but because I want to know whether I feel the same way as I did when I first read it. Or maybe there is something in that book and the narrative that really helps me figure out a knot in my own work.”
Growing up in a bookshop, Aanchal was always careful about NOT defiling books and treating them gently. But as she’s grown and become an even more voracious reader, that has changed. Now she makes notes and underlines sections with a pencil (she never uses a highlighter), tagging and flagging parts of the book that speak to her. She has given herself the liberty to do that. “I used to think that was sacrosanct–that we shouldn’t defile a book,” she says. “Over the years I have come to terms with it as depositing parts of myself into that book. Who I was when I was reading that book. What those lines made me feel or think, whether they reminded me of something or someone. And I’ve become quite comfortable with underlining.”
This is one of the reasons why Aanchal is a little possessive about her books and doesn’t give them out to other people. These books have a part of her in them, and she likes to return to those notes. “I don’t like loaning out my books. I will buy the same copy of a book for someone and give it to them if they really want it, but I don’t want to give my own copy! But that being said, there are a few books that I like to give away to people and I will always have a couple of copies of them on hand.”
“I don’t remember what the oldest book is - probably something I have had since childhood. But the newest one is Things In Nature Merely Grow by Yiyun Li.”
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