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Meetu Akali, founder of the Goa-based architecture and interior design firm Studio MoMo, reveals her sourcing sensibilities, the studios she returns to, and her latest design finds.
Studio Momo, an architecture and design studio tucked away in the layered landscape of Goa, essentially focuses on designing luxury villas and restoring heritage homes. Its founder, architect Meetu Akali’s work instinctively mirrors the essence of its context: quietly expressive, unhurried and grounded in material tactility. Her design approach draws its inspiration from the Japanese philosophy of ‘wabi-sabi’, which directly translates to accepting or appreciating imperfections. That principle also guides her decisions throughout the design process. Keeping the original character of a space alive, Meetu’s design language seamlessly weaves vernacular building traditions into contemporary spaces. There is a sense of ease and an unassuming simplicity in the spaces she designs, leaving ample room for light, movement and breath. We asked her to reveal her sourcing destinations, the brands, places and people that she relies on to style the spaces she designs. Note these down…
Meetu Akali:I am a true believer in the Japanese philosophy of finding beauty in imperfections, Wabi Sabi. When applied to design, it means rustic, simple living, with understated elegance–right from the architecture to the interiors, to the colour schemes, and choice of materials. I aim to be environmentally sensitive in my approach and create eco-friendly architecture and interior and exterior finishes. Designing and creating a built form that has a direct relationship to its context, both physically and culturally. This is also reflected in our choice of materials, furniture, and the brands that we associate with for sourcing.
MA:I love working with upcycled furniture. I usually travel across the country to find a reclamation yard to hand-pick pieces of furniture that can be repurposed. We also love working with furniture pieces that are made up of natural materials such as stone, reclaimed wood, terracotta, ceramics, and paper mache.
MA:I find that Goa has many home-grown brands which I have personally seen evolve over the years. Goa, being a melting pot of settlers from all over the world, offers a unique mix of design sensibilities. My go-to studios in Goa are Rangeela and The Flame Store. Goa also has something called a Friday night market which operates during the season time. This market is an eclectic mix of brands from all over and one can usually find some beautiful pieces and hidden gems here.
MA:I love working with organic linens, kora cotton, and bamboo fabrics. I love layering with ikat prints, kantha weaves, brocades, and suzanis. I use a lot of vintage fabrics, bedcovers, and rugs, which are repurposed to create upholstery, cushion covers and curtains. These are usually handpicked during my travels through vintage shops. I also buy cushion covers and fabrics from Good Earth India, Ekaya Banaras, Saphed and No-Mad.
MA:We usually custom make our lighting fixtures with various vendors. I like using lighting fixtures that are inspired by heritage chandeliers and art deco styles. We usually take inspiration from these styles and create our own minimal, contemporary take on them, which suits our design sensibility. I love walking around the antique shops in South Goa and in Chor Bazar, Mumbai, to find unique light fixtures. We get these pieces recreated if required. Other than this, we work with brands like Gulmohar Lane, The Purple Turtles and White Teak Company for chandeliers and table lamps. We love lighting made up of natural materials and source it from Oorjaa for our projects. Also, Ravi Vazirani is doing some brilliant stuff with table lamps at his studio.
MA:For reclaimed goods, I travel across the country to parts of Rajasthan and Gujarat. I also buy artifacts from Nicobar. In Goa, I love Savio Jon and Ranji Kelekar’s Goa studio for artifacts, silver and vintage cutlery, Karma Collection for their vintage fabrics and rugs, Whalesong gallery for unique vintage furniture finds. Lore and Josmo are also some of the furniture studios in Goa that align with my design philosophy.
MA:I discovered Richa Kashelkar a few years ago when I bought one of her artworks for a project. We recently collaborated with Richa on a wall mural for a personal project and she was brilliant.
MA:I absolutely love the work and have been a huge fan of Shilo Shiv Suleman. She is an illustration and installation artist.
MA: One brand that comes to my mind, which I feel is doing extremely well at the moment, is Jaipur Rugs. I like the combination of craft and versatility that this brand is coming up with. They have seamlessly managed to take traditional Indian craft to a global level.
MA: I have recently been travelling a lot to Jaipur for sourcing. My go-to place in Jaipur is Khanoom, a pottery studio that works with local artisans. I love that each piece is handcrafted and bespoke. I recently visited IDLI by Thierry Journo and was amazed by his taste in fashion and art. We have been collaborating with him to create artifacts and lighting for our project.
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